Jump to content

Phil Elverum

From Wikipedia, the free encyclopedia
(Redirected from Phil Elvrum)

Phil Elverum
Background information
Birth namePhilip Whitman Elvrum
Born (1978-05-26) May 26, 1978 (age 46)
Anacortes, Washington, U.S.
Genres
Occupations
  • Musician
  • songwriter
Instruments
  • Vocals
  • guitars
  • bass
  • piano
  • organ
  • keyboards
  • drums
  • percussion
  • alpenhorn
Years active1996–present
Member of
Formerly ofOld Time Relijun
Spouses
(m. 2004; died 2016)
(m. 2018; div. 2019)
Websitepwelverumandsun.com

Philip Whitman Elverum ( Elvrum;[1] born May 26, 1978)[2] is an American musician, best known for his musical projects the Microphones and Mount Eerie. Based in Anacortes, Washington, in the mid-2000s he began to spell his surname Elvrum as "Elverum".

Life

[edit]
The Track House as seen in 2010
Elverum and Castrée, his wife of 12 years, playing together in 2006

Phil Elverum was born on May 26, 1978, in Anacortes, Washington.[2][3][4] Growing up, Elverum's father regularly made mixtapes for him and his sister. He soon started to play the tuba but after three years moved onto drums.[3] At age 14, he started his own band "Nubert Circus", playing the drums and writing lyrics.[3] Elverum attended Anacortes High School.[5] After graduating, he traveled across Canada with his then-girlfriend.[5] In the summer of 1997, during his "punk rock experience", he moved to Olympia, Washington, where he lived until 2002.[5][6] Elverum briefly attended Evergreen State College.[5][7] He expressed little interest in college, favoring the music scene, although he remained a relative unknown. Elverum would later cite the music scene as the reason he moved.[8] Elverum's primary source of income was music, performing small tours.[8]

In his adolescence, Elverum worked at Anacortes-based record store The Business where he would record music in the backroom after hours.[5] During his time there, he met Beat Happening member Bret Lunsford who offered him a job as the drummer of the band D+ alongside Karl Blau.[3] While living in Olympia, he would periodically return when low on money.[8] Elverum described his time at The Business as his "entry point to alternative music", noting how it helped him become immersed in the scene.[6] Also during his adolescence, Elverum expressed a desire to become a filmmaker, frequently making movies with his friends and screening them at a coffee shop.[9]

By January 2000, he was living at the "legendary Track House", after living in various other houses, such as the "House Of Doom" in Quincy, Washington, which was according to Elverum, "Legitimately haunted. Raccoons and rats would eat your food right off the shelf. Poison barrels buried in the yard."[10][11] A black house surrounded by forests, the Track House was used by prominent independent musicians in the Olympia music scene.[11] In his free time, Elverum would record music across the street at Dub Narcotic Studio and volunteer at the local food co-op.[10] Elverum moved out of the Track House by 2002.[11]

In 2002, Elverum spent a winter in northern Norway, two hours from Bodø. He kept a log of his time there which became Dawn: Winter Journal and the songs composed for Dawn.[10] In 2003, Elverum met Canadian artist and musician Geneviève Castrée through mutual friends.[3] They married on February 29, 2004.[5] They originally intended to move to Canada, but after searching for residency decided to remain in the United States, in the town of Anacortes, where both Castrée and Elverum would become influential in the local music scene, in particular the forming of the What The Heck festival.[12][13] Castrée was diagnosed with inoperable pancreatic cancer following the birth of the couple's first child in 2015[14] and died on July 9, 2016.[15][16][17][18]

Elverum married actress Michelle Williams in July 2018 in a private ceremony in the Adirondacks.[19] Around the same time, he moved from his long-time residence in Anacortes to Williams' home in Brooklyn.[18] The couple separated in January 2019, and filed for divorce in April 2019.[20] Following the split, Elverum moved back to Washington, after having lived in New York for about nine months.[18] By November 2019, it was reported that they were no longer married.[18] In 2020, Elverum, with help from his brother, was building a house off the coast of Anacortes. Elverum had previously intended to build the house with Castrée.[21]

Elverum has described his parents as "mystical about nature", although these beliefs were not tied to a specific religion.[3] In an interview from 2012, he stated that "a lot of the ideas that I’m trying to enunciate reflect a more or less Buddhist ideology. Even though I’m not Buddhist, at all, I come across these same ideas... I’m taking things from that tradition and reframing them in my world."[22] Elverum has expressed disdain for religion in general.[23]

Music career

[edit]
Dub Narcotic Studio in 2013

Elverum is best known for having recorded and performed under the band names The Microphones (1996–2003, 2019–2022) and Mount Eerie (2003–present). While the projects are distinct, Elverum views them as "one progression" stating that his goal is to make a varying body of work with a cohesive theme running through it, although there is a "dividing line between pre-Geneviève dying and post-Geneviève dying".[9][24] He is known for his prolific recordings with both projects; in 2019, The National reported that Elverum had created 40-plus albums.[25] He uses mostly analog recording equipment and often works in his own studio spaces, where he has the time and freedom to experiment with sounds.[26]

In 2004, Elverum created the label P.W. Elverum & Sun, Ltd.,[27] through which he has released records by Mount Eerie and The Microphones, as well as The Spectacle, Thanksgiving, Woelv, Nicholas Krgovich, Key Losers and Wyrd Visions. Prior to this, he was closely linked to K Records, working with artists like Mirah, Kyle Field, Karl Blau, Calvin Johnson and The Blow.[28] Though influenced by the sense of community, his releases from that time were primarily made by himself.[28] Elverum personally prints, packages, and ships his own vinyl and merchandise.[28] He explained his reasoning for doing so as wanting to "understand the process holistically, and then maybe grow into more complex forms of organization later."[23] Elverum also creates all of the visual art for his musical releases.[28] In 2012, he helped establish a studio and venue called "The Unknown" at a disused church in his hometown of Anacortes.[29]

Elverum has also performed with other bands, worked as a producer for other artists, and released music under different names. In 1996, he joined D+ as the drummer. That same year, Elverum released a cassette under the title X-Ray Means Woman. In 1998, he became the drummer for Old Time Relijun, a position he held until 2002. In 2000, Elverum produced Mirah's debut, You Think It's Like This But Really It's Like This. He went on to produce her next three records as well as performing on The Old Days Feeling. His production credits would extend to 2004 when he produced Adrian Orange's Thanksgiving and Castrée's Pamplemoussi. Castrée's next album was also created with Elverum's involvement.[3]

His musical influences include Eric's Trip, Will Oldham, Björk, Nirvana, Popol Vuh, Sunn O))), Angelo Badalamenti, Tori Amos, The Cranberries, Sinéad O'Connor, Red House Painters, Sonic Youth, This Mortal Coil and Stereolab.[30][31][32] Both Eric's Trip and Stereolab, in particular, were important to Elverum. A self-described fan of Eric's Trip, he has called Julie Doiron his favourite singer and stated that meeting and playing shows with her[33] "was a dream come true."[34][35] He toured as Mount Eerie with Doiron in 2019.[36] He also recalled how he would send fan mail to the band.[34] In the song "Microphones in 2020", he described seeing Stereolab perform "one chord for fifteen minutes" in a show at Bellingham, Washington, and stating that "something in me shifted" and that "I brought home belief that I could create eternity."[32] He has also called grunge a "formative influence."[6] Elverum's non-music influences include zen poetry, specifically the work of Eihei Dōgen and Gary Snyder.[37]

In a 2014 interview, Elverum discussed how he almost always composes songs as he records them, with songs created outside of a studio setting usually recorded not long afterward.[38] In that same interview, he talked about his desire to record music that was "deep sounding enough that a listener could potentially inhabit the world of sound totally."[38]

Under both Mount Eerie and The Microphones, Elverum has recorded multiple versions of and sequels to his songs, such as demos or auto-tuned re-recordings and condensed albums.[38][39] Common themes and motifs in his work include the Moon, humanity's relationship to nature and technology, health, relationships, the human condition, impermanence, loneliness and the fleetingness of life,[40][41][42] although he denies that any of his songs are about "sadness or isolation".[43] According to Elverum, nature within his work is "just the version of the world that I use to represent a neutral, non-human place where we're living out our weird adventures."[37] Before meeting Castrée, his songs would be dictated by "whatever specific turmoil I was going through."[44] After meeting her, he became more withdrawn and intentionally chose not to discuss their relationship, until Mount Eerie's 2017 album A Crow Looked at Me, which is centered around her death.[44]

Musical style

[edit]
Elverum performing in 2008

On the topic of his musical style, Elverum has said: "You can easily find out what my music sounds like. I will not try to describe it".[45] He has, however, described the aesthetics of his music as an attempt to replicate "a dark presence in nature" found in shows such as Twin Peaks.[46] Elverum's writing has been described as Lynchian.[47] Erin Vanderhoof of Vanity Fair described Elverum's aesthetics as "acoustic...stripped-down and ponderous."[48] Sam Lewis of The Skinny described it as "dreamlike, morbid and transcendent."[37] Brea Acton noted that it "displays a fine balance between digital and analogue processes", with Elverum "drawing on digital techniques as a distancing mechanism as well as using it to enact intimacy."[49]

Elverum's music incorporates elements of ambient, folk, and black metal.[50] Despite this, Elverum's music has also been said to elude an exact genre.[51] His songs frequently "alternate and shift", "transitioning from beautifully delicate melodies to pounding, fuzzy riffs".[37] They also frequently feature "skittering rhythms" and the "merging of drum machines".[48] His lyrics have been described as "confessional", "sparse", "tersely poetic" and "conversational", his singing "speak-sing" and his storytelling "free-flowing."[50][52][53]

The Believer magazine described his work as "delicately sparse or layered and noisy, often in the same song. Lyrically, he focuses on memory, first-person storytelling, myth, naturalism, the everyday as sacred, and sense of place (in and out of Washington state)".[54] Slate described it as "fairly subdued yet intense and solipsistic, with a kind of American transcendentalist aesthetic (Emerson, Thoreau, Whitman) combined with a distinctly Pacific Northwest naturalist mysticism."[55] Todd Van Luling of HuffPost noted that despite Elverum's "noise experimentation", "the cores of the songs are still straightforwardly affecting."[56]

His style has been praised for its personal and grounded nature. Rachel Laitman wrote: "The effectiveness of Elverum’s style reminds us about the injury, and profound misunderstanding, incurred when we put the form of expression called singing in a box."[53]

Legacy

[edit]

Under both The Microphones and Mount Eerie, "Elverum has been instrumental in shaping the landscape of current indie rock."[57] Isabel Zacharias claimed that Elverum, "to a pocket of Pacific Northwesterners, is more folkloric deity than musician" with his releases under The Microphones propelling him to "indie-god status".[58]

Visual art and other work

[edit]
An example of Elverum's photography

Elverum is also known for his artwork and photography. Early in his career, he produced limited-run fanzines and song booklets which were sold during Microphones tours. Since establishing P.W. Elverum & Sun, Ltd., he began to experiment with letterpress printing and other elaborate packaging ideas for his releases.[59] In 2007, he published a hardcover book of film photography with a 10" picture disc titled Mount Eerie pts. 6 & 7.

In 2009, Elverum hosted his first art show, In Dreams, at Stumptown Coffee in Portland, Oregon. The exhibition consisted of landscapes Elverum photographed in Norway, France, and rural Washington, using antique cameras and expired film.[60] In 2014, Elverum released Dust, a book of digital photography bound in stamped linen. He sells large-scale photographic prints and ink paintings through his online store.[61] His album Microphones in 2020 was accompanied by a lyric video consisting of over 800 photos.[62] In 2020, Elverum stated that he was working on an art book of Castrée's unpublished work.[63]

In 2001, while on tour, Elverum wrote a "paper opera" play[64] as part of a magazine centering around the theme of death.[65] In 2005, he created a 365-day comic calendar titled Fancy People Adventures, which was later syndicated by music website Tiny Mix Tapes.[66] In 2017, after finishing his eighth studio album as Mount Eerie, Elverum created a book about Anacortes, Washington.[67]

Elverum has also experimented with filmmaking, producing background visuals for his shows (released as a limited-edition DVD entitled Fog Movies) and promotional videos for several Mount Eerie songs.[28] He has stated that he does wish to one day make movies, viewing them as the "ultimate art form" and as such the culmination of his creativity.[9]

Discography

[edit]

The Microphones

[edit]

Mount Eerie

[edit]

D+

[edit]
  • D+ (1997)
  • Dandelion Seeds (1998)
  • Mistake (2002)
  • Deception Pass (2003)
  • No Mystery (2006)
  • On Purpose (2008)
  • What Is Doubt For? (2008)
  • Destroy Before Listening (2018)

Phil Elverum

[edit]
  • The Fidalgo Island Beautiful Issue #5 1/2 (2007)
  • Ditherer (2007)
  • Weary Engine Blues (2013)

Other projects

[edit]
  • Mostly Clouds and Trees – Beautiful Face (1996)
  • Tugboat – The Tugboat Fiasco (1996)
  • X-Ray Means Woman – Face Shapes (1996)
  • Old Time Relijun – Witchcraft Rebellion (2001)
  • Peace – On Earth (2007)
  • DJ Microphone – The Fidalgo Island Beautiful Issue #5 1/2 (2007)
  • Mirah – (a)spera (2008)

References

[edit]
  1. ^ "MOUNT EERIE: SONGS OF PAIN AND DEVOTION". Magnet Magazine. May 22, 2018. Archived from the original on October 26, 2019. Retrieved July 15, 2020.
  2. ^ a b "Phillip W Elvrum". FamilySearch. United States Public Records, 1970-2009. Retrieved April 4, 2024.
  3. ^ a b c d e f g Gormley, Ian (November 5, 2018). "Microphones, Mount Eerie and Melancholy: The Career of Phil Elverum". Exclaim!. Archived from the original on June 8, 2019. Retrieved June 8, 2019.
  4. ^ Elverum, Phil (August 31, 2014). "Biography of Phil Elverum". Pwelverumandsun.com. Archived from the original on June 8, 2019. I was born in 1978. I am from Anacortes, Washington...
  5. ^ a b c d e f Stoddard, Jesse (November 17, 2016). "Life After High School: Interview with Phil Elverum". Jesse Stoddard. Archived from the original on February 29, 2020. Retrieved May 4, 2020.
  6. ^ a b c Bemis, Alec Hanley (March 11, 2008). ""Die in Anacortes": Phil Elverum (aka The Microphones aka Mt. Eerie) Interviewed: Part 4 of 4". LA Weekly. Archived from the original on September 13, 2020. Retrieved September 13, 2020.
  7. ^ "A Conversation with Phil Elverum". freewilliamsburg.com. Archived from the original on June 8, 2019. Retrieved February 29, 2020.
  8. ^ a b c Howe, Brian (May 13, 2008). "Microphones". Pitchfork. Archived from the original on October 5, 2019. Retrieved August 11, 2020.
  9. ^ a b c "5 (+ several more) Questions with Phil Elverum". First Order Historians. May 3, 2012. Archived from the original on August 30, 2020. Retrieved July 5, 2020.
  10. ^ a b c Haver Currin, Grayson (August 7, 2020). "An In-Depth Guide to the Microphones". Bandcamp. Archived from the original on August 8, 2020. Retrieved August 7, 2020.
  11. ^ a b c Woulfe, Chris (February 17, 2016). "The Storied History of Olympia's Track House". IMPOSE Magazine. Archived from the original on July 3, 2016. Retrieved August 8, 2020.
  12. ^ Clough, Rob (July 14, 2016). "Geneviève Castrée: 1981–2016 |". The Comics Journal. Archived from the original on July 15, 2016. Retrieved July 10, 2020.
  13. ^ Marc Maron (June 8, 2017). "WTF with Marc Maron Podcast – EPISODE 818 – MARK MULCAHY / PHIL ELVERUM". YouTube (Podcast). Event occurs at 26:00–28:30. Archived from the original on September 13, 2020. Retrieved April 28, 2020.
  14. ^ "Phil Elverum Seeks Donations for Wife's Cancer Treatment". Pitchfork.com. June 2, 2016. Archived from the original on January 28, 2017. Retrieved January 28, 2017.
  15. ^ "Geneviève Elverum Has Died". Pitchfork. July 10, 2016. Archived from the original on January 30, 2017. Retrieved January 28, 2017.
  16. ^ "Geneviève Castrée, Artist Married to Phil Elverum, Has Died". Spin. July 10, 2016. Archived from the original on February 2, 2017. Retrieved January 28, 2017.
  17. ^ Monroe, Jazz. "Phil Elverum Seeks Donations for Wife's Cancer Treatment". Pitchfork. Archived from the original on July 8, 2016. Retrieved July 10, 2016.
  18. ^ a b c d Greene, Jayson (November 12, 2019). "Mount Eerie's Phil Elverum Starts Over, Again". Pitchfork. Archived from the original on November 20, 2019. Retrieved May 4, 2020.
  19. ^ "'I Never Gave Up on Love': Michelle Williams on Her Very Private Wedding and Very Public Fight for Equal Pay". Vanity Fair. July 26, 2018. Archived from the original on July 26, 2018. Retrieved December 26, 2018.
  20. ^ Jordan, Julie; Russian, Ale (April 19, 2019). "Michelle Williams and Husband Phil Elverum Split After Marrying Last Summer". People. Archived from the original on June 12, 2020. Retrieved May 4, 2020.
  21. ^ Gotrich, Lars (August 6, 2020). "Phil Elverum Returns To A Refuge As The Microphones". NPR. Archived from the original on August 11, 2020. Retrieved August 13, 2020.
  22. ^ "The man behind the mountain". 15questions. Archived from the original on September 13, 2020. Retrieved January 30, 2020.
  23. ^ a b Parker, Bryan (June 11, 2012). "It's Like Sculpting: An Interview with Mount Eerie's Phil Elverum". Pop Press International. Retrieved September 13, 2020.
  24. ^ Klinge, Steven (May 22, 2018). "Mount Eerie: Songs Of Pain And Devotion". Magnet. Archived from the original on October 26, 2019. Retrieved September 11, 2020.
  25. ^ Hancox, Dan (March 17, 2019). "How Phil Elverum's journey with grief led to inspiration for his music". The National. Archived from the original on September 13, 2020. Retrieved August 10, 2020.
  26. ^ Burr, Mike (July 12, 2012). "Mount Eerie: Phil Elverum Is Analog In A Digital World - Prefixmag.com". Prefix. Archived from the original on April 6, 2017. Retrieved May 30, 2018.
  27. ^ "P.W. Elverum & Sun". Phil Elverum & Sun. Archived from the original on May 12, 2011. Retrieved May 30, 2018.
  28. ^ a b c d e Porter, Christa; Porter, Richard (March 19, 2018). "An Interview With Phil Elverum of Mount Eerie". Live in Everett. Archived from the original on June 7, 2020. Retrieved August 10, 2020.
  29. ^ "the UNKNOWN". Anacortesunknown.com. Archived from the original on May 14, 2018. Retrieved May 30, 2018.
  30. ^ Elverum, Phil (January 11, 2018). "Entry Level: Phil Elverum's Inner Battle With Black Metal". Invisible Oranges. Archived from the original on May 29, 2018. Retrieved May 30, 2018.
  31. ^ "Home – WRIR 97.3 fm – Richmond Independent Radio". WRIR. Archived from the original on September 13, 2020. Retrieved May 30, 2018.
  32. ^ a b "the Microphones – Microphones in 2020". YouTube. August 6, 2020. Archived from the original on August 8, 2020. Retrieved August 8, 2020.
  33. ^ Confer "Biography", Julie Doiron official web site
  34. ^ a b Breihan, Tom (July 30, 2009). "Mount Eerie". Pitchfork. Archived from the original on July 10, 2017. Retrieved August 11, 2020.
  35. ^ Rodriguez, Krystal (September 25, 2019). "Mount Eerie and Julie Doiron announce new album, Lost Wisdom Pt. 2". Fact. Archived from the original on April 17, 2020. Retrieved August 11, 2020.
  36. ^ Doiron's official web site : julie-doiron.com AND
  37. ^ a b c d Lewis, Sam (May 8, 2013). "Mount Eerie: "Things have changed a lot. My first tour was booked by telephone" | Interview | The Skinny". The Skinny. Retrieved September 19, 2020.
  38. ^ a b c Mescher, Daniel (October 8, 2014). "Phil Elverum of Mount Eerie: "Songs are evolving, living things"". Colorado Public Radio. Archived from the original on August 30, 2020. Retrieved August 10, 2020.
  39. ^ May, Thomas (October 25, 2012). "The Quietus | Reviews | Mount Eerie". The Quietus. Archived from the original on September 13, 2020. Retrieved July 21, 2020.
  40. ^ Parker, Bryan (May 22, 2012). "Album Review: Mount Eerie – Clear Moon". Pop Press International. Archived from the original on July 22, 2020. Retrieved July 22, 2020.
  41. ^ Sanford, Ryan (March 16, 2018). "Review: Mount Eerie – Now Only". SLUG Magazine. Archived from the original on September 3, 2020. Retrieved August 16, 2020.
  42. ^ Ransom, Brian (September 15, 2017). "Staff Picks: Morphine, Martyrs, Microphones". The Paris Review. Retrieved September 17, 2020.
  43. ^ Surkan, Neil (September 6, 2018). On High. McGill-Queen's Press – MQUP. ISBN 978-0-7735-5546-4.
  44. ^ a b Kornhaber, Spencer (March 14, 2017). "The Pointlessness and Promise of Art After Death". The Atlantic. Archived from the original on November 19, 2018. Retrieved February 7, 2020.
  45. ^ Elverum, Phil (August 31, 2014). "Biography of Phil Elverum". Pwelverumandsun.com. Archived from the original on June 8, 2019. Retrieved October 27, 2019.
  46. ^ Miller, Michael E. (August 10, 2009). "Interview: Mount Eerie's Phil Elverum | The Village Voice". The Village Voice. Archived from the original on September 14, 2018. Retrieved May 26, 2020.
  47. ^ Power, Ed (September 1, 2020). "Interview: Phil Elverum on Microphones in 2020". Hotpress. Retrieved December 26, 2020.
  48. ^ a b Vanderhoof, Erin (July 26, 2018). "Meet Phil Elverum, Michelle Williams's New Husband". Vanity Fair. Retrieved September 18, 2020.
  49. ^ Actom, Brea (2016). Aspects of place in new folk music (Masters Research thesis). University of Melbourne. pp. 1–84. hdl:11343/122906. Retrieved October 25, 2020.
  50. ^ a b Phares, Heather. "Mount Eerie". Allmusic. Archived from the original on February 29, 2020. Retrieved January 30, 2020.
  51. ^ Baker, Brady (September 13, 2009). "Interview: Phil Elverum". Spectrum Culture. Retrieved September 13, 2020.
  52. ^ Hill, Eric (March 27, 2017). "An Essential Guide to Mount Eerie, the Microphones and the World of Phil Elverum". Exclaim. Archived from the original on September 16, 2019. Retrieved January 30, 2020.
  53. ^ a b Laitman, Rachel (November 10, 2015). "3 Things We Can Learn About Song Making from Phil Elverum". flypaper. Archived from the original on July 17, 2017. Retrieved January 30, 2020.
  54. ^ Stosuy, Brandon (July 1, 2009). "An interview with Phil Elverum". Believer Magazine. Archived from the original on November 14, 2019. Retrieved May 26, 2020.
  55. ^ Wilson, Carl (March 19, 2018). "Mount Eerie's Haunting New Album Explores the Stages of Grief That Come After "Acceptance"". Slate. Archived from the original on June 12, 2019. Retrieved August 17, 2020.
  56. ^ Luling, Todd Van (June 2, 2015). "How To Be A Mountain Within A Brutal American Culture: An Interview With Phil Elverum". HuffPost. Retrieved September 19, 2020.
  57. ^ Sackllah, David (March 13, 2017). "Album Review: Mount Eerie – A Crow Looked at Me". Consequence of Sound. Archived from the original on April 11, 2020. Retrieved August 14, 2020.
  58. ^ Zacharias, Isabel (April 18, 2017). "Mt. Eerie's Phil Elverum Faces the Reality of Death at Mississippi Studios". Willamette Week. Archived from the original on July 7, 2017. Retrieved September 13, 2020.
  59. ^ "Phil Elverum: Print Pioneer of the Pacific Northwest | Bangback". www.bangback.com. Archived from the original on March 31, 2013. Retrieved January 13, 2022.
  60. ^ Motley, John (April 30, 2009). "Grave Architecture". Portland Mercury. Archived from the original on September 10, 2015. Retrieved May 16, 2020.
  61. ^ "The Art Store at P.W. Elverum & Sun". P.W. Elverum & Sun. Archived from the original on April 20, 2020. Retrieved May 4, 2020.
  62. ^ Williams, Conor (August 7, 2020). "Phil Elverum in 2020". Interview. Archived from the original on August 7, 2020. Retrieved August 7, 2020.
  63. ^ Rosenthal, Jon (August 7, 2020). "An interview with Phil Elverum on The Microphones' first album in 17 years". BrooklynVegan. Archived from the original on August 7, 2020. Retrieved August 8, 2020.
  64. ^ Death: a magazine for the enthusiast and non-enthusiast alike, #1
  65. ^ "Sweet thunder microphones interview". sweetthunder.org. August 8, 2001. Archived from the original on August 27, 2017. Retrieved May 15, 2020.
  66. ^ "Fancy People Adventures". Tinymixtapes.com. Archived from the original on December 14, 2018. Retrieved May 30, 2018.
  67. ^ Greene, Jayson (March 13, 2017). "Death Is Real: Mount Eerie's Phil Elverum Copes With Unspeakable Tragedy". Pitchfork. Archived from the original on November 19, 2018. Retrieved November 19, 2018.
[edit]